UCLA Library Announces Spring 2021 Public Programs
From research and data science workshops to lectures and screenings, the UCLA Library will be showcasing dozens of virtual events this spring designed to enrich the academic experiences of students, faculty, staff and other researchers and to help them advance knowledge by engaging in library resources and services.
Featured events include “The History of the Chinese Book” webinar series, showcasing Chinese rare books from the library’s collections; the “Undergraduate Research Week Awards Ceremony”, at which the recipients of the Library’s Undergraduate Research Award will be recognized; “Introduction to Tinderbox,” which provides beginners with an overview of the data note-taking app, and other workshops focused on how to develop a research plan, find sources, write a literature review, and use Python for search.
Other highlights of the program include the “Virtual Projection Room,” a series of films, television shows and newsreels presented by the Film and Television Archives of UCLA, a division of UCLA. UCLA library. Curated by archival programmers, the series supports the mission of providing access to unique moving images that provide insight into diverse communities and our shared cultural history.
Most events are free and most are open to the public. For more details and a full list of events, see the UCLA Library Calendar.
April 8: Convenient web technologies for social scientists will present the alphabet soup of technologies that power the modern web. Explaining TCP / IP, HTTP, JSON and more will provide participants with the basic knowledge needed to start extracting data from the web.
April 8: during data visualization with Tableau, participants will receive a general introduction to Tableau software and learn how to create different types of visualizations. Previous experience is not required.
April 8: participants in develop a research question learn methods of exploring topics and targeting their research.
April 14: A practical approach will be used introduction to QGIS-raster analysis, which covers Quantum Geographic Information Systems, an open source software platform. Beginners in cartography will leave the workshop after creating a map using spatial and raster analysis tools.
April 15: There’s more to search than Google. Learn effective search strategies on find sources at the UCLA library
April 16: Introduction to the Bash Shell Command Line Participants will learn fundamental skills for working with operating systems through a command line interface. Beginners will learn how the shell can help automate complex tasks and how to write shell scripts.
April 20: Real-world advice and resources are available at Adult Workshops 101: Rental in LA Discover tips and strategies for navigating the rental process, and listen to library staff share their experiences.
April 22: Questions about citing sources and plagiarism will be answered during collect and cite sources. Learn how to track sources and automatically generate your bibliography to avoid later problems.
April 23: Learn about the version control system used by programmers to track and manage changes on introduction to Git / GitHub.
April 27: Adult Workshops 101: Free Resources from the Los Angeles Public Library features resources including eBooks, magazines and newspapers, and online tutorials.
April 29: Writing of a literature review teach participants strategies for organizing their research into a clear and compelling literature review.
April 30: tailor-made for beginners, plotting and programming in Python-1 provides an introduction for those with little or no programming experience in Python. Participants will learn basic syntax, data structures, and data science tools.
May 6: Create engaging and compelling presentations after your participation presentation strategies and tools, where the focus will be on how best to connect with your audience.
May 6: in develop your research plan Participants will learn how to create a project schedule and keep research goals on schedule.
May 7: Plotting and programming in Python-2 builds on the lessons taught in the first version of the course. Participants will learn Python in the context of data science and identify how it can be used in research.
May 13: at Explore digital archives with DEVONthink, Tinderbox and Zotero, participants will be introduced to management and note-taking tools designed to help collect, organize and analyze documents and data.
May 14: Library Joinery: Introduction to R part 1 Provides beginners with an overview of basic R programming language syntax, data structures, and data science tools.
May 20: Check out the note-taking app designed to capture and analyze complex relationships and ideas on introduction to Tinderbox. Basic and advanced concepts will be covered.
May 21: Library Joinery: Introduction to R part 2 will continue the concepts discussed in the first session. Learn about RStudio and more on how R is used for data mining, visualization, and statistical analysis.
May 25: Artist books, comics, graphic novels and zines introduces students and researchers to a variety of alternative publication formats available in the library.
May 27: Basics of Computer Text Analysis with Clairvoyant introduce participants to the basic workflow, terms and outcomes they may encounter when undertaking a text mining project.
June 3: Introduction to network graphs: shaping your data Will cover the basics of data analysis, charting and network analysis projects.
April 15: The “Hear / Now / Then / There: Subversion, Sound and Queer UndergroundThe lecture series features a conversation with artist and educator Jasmine Nyende, a member of the queer black punk group FUPU. This is the final installment in the series, presented by the UCLA Center for the Musical Humanities with support from the UCLA Music Library.
April 30: A scholarly panel examines piano culture in the era of contemporary reproduction, back and forth at Pianism of the 21st century: Retrospective, new directions and interpretive communities. This program is part of the Musical Performance Today Studies series presented by the UCLA Center for the Musical Humanities and the UCLA Music Library.
May 14: Methods in musical performance studies brings together a panel of music specialists to discuss the field of music performance studies, identify challenges and methodologies, and foster interdisciplinary conversation. Presented by the UCLA Center for Musical Humanities and the UCLA Music Library.
May 21: Performance, gestures, electronics features presentations and panel discussions on music, technology and composition, with a piece on women’s work composed and performed by Jocelyn Ho, assistant professor of music studies at UCLA. Presented by the UCLA Center for Musical Humanities and the UCLA Music Library.
June 11, 18, 25: UCLA Richard C. Rudolph East Asian Library and UCLA Library Special Collections present the history of the Chinese book webinar series, with eminent researcher Li Kaisheng, curator of Tianyi Ge Library (founded 1561). The lectures will showcase the UCLA Library’s Chinese Rare Book Collection and present the history of China’s oldest working library.
May 28: culminating event of UCLA Undergraduate Research Week, the AWARD CEREMONY recognizes student researchers from several disciplines for their innovative work. The awards given include the Library Award for Undergraduate Research, which recognizes excellence in undergraduate research through the use of the library’s collections.
April 15: “Norma Jean’s plastic dome(1966) is the story of a far-sighted teenage girl, Norma Jean (Sharon Henesy), and a boy band, modeled after The Beatles, who are determined to harness the powers of the young woman as part of ‘a revival of hoax. Written, directed and produced by Juleen Compton, the film is an impressive example of American independent feature film making in the mid-1960s, and focuses on an unusual portrayal of female agency at the time. The screening will be presented by Jillian Borders, Film Curator, and Maya Montañez Smukler, Head of the UCLA Film and Television Archives Research and Study Center.
April 22: “Two by Sarah Maldoror, ”Presents two distinct works by filmmaker and theater artist Sarah Maldoror: her first short,“ Monangambé ”(1969), and her delightful satirical French TV movie,“ Dessert pour Constance ”(1981). Born in France to parents of West Indian and French origin, Maldoror, who died last spring of complications from the coronavirus, co-founded the country’s first black theater troupe in 1956 and then turned to cinema, making more than two dozen of films and forging it. own visual transmissions of African culture. Presented by UCLA Film & Television Archive and UCLA’s Black Feminism Initiative, the program includes a panel discussion after the screening with Annouchka de Andrade, the daughter, producer and distributor of Maldoror.
April 29: Filmmakers Ellen Fisher-Turk and Andrew Weeks take center stage for International Chrysis, the pioneering diva and self-proclaimed “transgender performer” who dominated New York’s nightclub and cabaret scene for two decades, in their film “Split: Portrait of a drag queen»(1993). Through their assemblage of interviews, stills and video footage, Fisher-Turk and Weeks capture the quick wit and vivid presence that made Chrysis a breathtaking star, a muse for fashion designers. and artists (especially Salvador Dalí) and a guiding light for the next generation. before his untimely death in 1990. The Archives are delighted to present “Split” with filmmaker Fisher-Turk in conversation with cultural critic Ernest Hardy.
May 6: The Virtual Screening Room series continues with “Frankly Jazz: three episodes preserved. Premiering on Los Angeles’ KTLA Channel 5 in 1962, the short-lived local television series “Frankly Jazz” provided viewers with powerful live performances from some of the West Coast’s top jazz musicians of the era. The archives show three episodes of this obscure local music television series, as preserved from recently acquired original two-inch videotapes, featuring legendary artists such as Gerald Wilson, the Jazz Crusaders and Sammy Davis Jr. will be presented by jazz musician and educator Ray Briggs, director of the jazz studies department at the Pasadena Conservatory of Music and assistant director of jazz studies at Cal State Long Beach, where he teaches history and ethnomusicology classes jazz.