Museums – Ruth Dilts Design http://ruthdiltsdesign.com/ Mon, 21 Jun 2021 19:34:14 +0000 en-US hourly 1 https://wordpress.org/?v=5.7.2 http://ruthdiltsdesign.com/wp-content/uploads/2021/04/default1.png Museums – Ruth Dilts Design http://ruthdiltsdesign.com/ 32 32 An-My Lê’s “On Contested Ground” at the Amon Carter Museum – NBC 5 Dallas-Fort Worth http://ruthdiltsdesign.com/an-my-les-on-contested-ground-at-the-amon-carter-museum-nbc-5-dallas-fort-worth/ http://ruthdiltsdesign.com/an-my-les-on-contested-ground-at-the-amon-carter-museum-nbc-5-dallas-fort-worth/#respond Mon, 21 Jun 2021 19:18:42 +0000 http://ruthdiltsdesign.com/an-my-les-on-contested-ground-at-the-amon-carter-museum-nbc-5-dallas-fort-worth/ If a picture is worth a thousand words, An-My Lê’s photographs say a lot about the complexity of American history and conflicts. An-My Lê: On contested ground, now on view through August 8 at the Amon Carter Museum of American Art in Fort Worth, reveals his nuanced perspective on military life and the legacy of […]]]>


If a picture is worth a thousand words, An-My Lê’s photographs say a lot about the complexity of American history and conflicts. An-My Lê: On contested ground, now on view through August 8 at the Amon Carter Museum of American Art in Fort Worth, reveals his nuanced perspective on military life and the legacy of war.

Born in Saigon in 1960, Le remembers the sights and sounds of the Vietnam War before the U.S. military evacuated her and her family in 1975.

Showcasing more than 70 photographs, this nationwide traveling exhibition is a retrospective of the career of this Vietnamese-American photographer. Divided into five series, Lê investigates the history of conflicts from the 1990s to the present day.

Lê uses a large format camera, photographing awe-inspiring landscapes in the tradition of 19th century photographers like Timothy O’Sullivan and Matthew Brady.

“You will see that she is really interested in the people, but not the people up close, the people who operate in the country around them,” said Kristen Gaylord, associate curator of photographs at the museum.

The first series, Vietnam, presents black and white photographs that Lê took during his first trip to Vietnam, 20 years after his family was evacuated. Before this trip, Lê knew his homeland only through the prism of war films and cultural stereotypes.

“She’s the one who works through all these different images to find a Vietnam that feels familiar to her,” Gaylord said.


Courtesy of the artist and the Marian Goodman Gallery, New York, Paris and London

An-My Lê (born in 1960), Untitled, Hanoi, 1995, gelatin silver print, © An-My Lê. Courtesy of the artist and the Marian Goodman Gallery, New York, Paris and London

Lê often asked subjects to pose or recreate a specific activity. The photographs show the evolution of Vietnam from a theater of war to a modern nation marked by its complicated history. A photo of a soccer match looks more spontaneous, but Lê uses architecture to frame the movement of the match.

“It’s very classic, but it’s a street scene from a boys’ football game,” Gaylord said.

Lê never felt more American than when she was photographing Vietnam. While continuing her research on the war and the country, she discovered reenactments of the Vietnam War in North Carolina and Virginia. These reconstructions inspired Small wars, the second series of the exhibition.

The reenactors allowed Lê to photograph their activities if she agreed to participate. She often played a North Vietnamese soldier or a Viet Cong rebel.

“The men were really excited about her because she’s Vietnamese. She’s another genuine thing to add to their re-enactment, ”Gaylord said.

An-My Le Amon Carter American Art Museum 2


Courtesy of the artist and the Marian Goodman Gallery, New York, Paris and London

An-My Lê (born in 1960), Lesson, 1999-2002, gelatin silver print, © An-My Lê. Courtesy of the artist and the Marian Goodman Gallery, New York, Paris and London

Although the situations and the equipment are precise, the environment reveals the true place of the reenactments.

“If you know your gear, you might think it’s a historical picture, but then the earth isn’t quite correct,” Gaylord said.

While working with reenactors, Lê did not meet any ex-combatants. A few participants were non-combat veterans while others were related to those who served. Like Lê, they wanted to understand the mythology and legacy of the Vietnam War.

“They were all grappling with the legacy of the Vietnam War in their own way,” Gaylord said.

When Lê failed to obtain credentials to integrate into the military on the front lines of the Iraq war, she photographed military exercises at 29 Palms, a Navy base in California. . The third series, 29 palm trees, represents a change in the creative direction of Lê.

“While this series [Small Wars] talks about the legacy of war, this series [29 Palms] is about preparing for war, ”Gaylord said.

Photographing the training exercises in the Californian desert, Lê highlights the enveloping landscape.

“We think the US military is so overwhelming, but compared to the vastness of the country, it can really shrink,” Gaylord said.

She photographed the tense moments of training as well as the tedious work.

“It’s not the action-packed glamor side of the military. It’s between. It’s boredom. That’s the difficulty of the training drills, ”Gaylord said.

An-My Le Amon Carter American Art Museum 3


Courtesy of the artist and the Marian Goodman Gallery, New York, Paris and London

An-My Lê (born 1960), Infantry Platoon, Alpha Company, 2003–2004, gelatin silver print, Collection of the Museum of Contemporary Photography at Columbia College, Chicago, Gift of the Lannan Foundation, Santa Fe, NM; 2011.85, © An-My Lê. Courtesy of the artist and the Marian Goodman Gallery, New York, Paris and London

Lê captures men awaiting follow-up under a scorching sun, reminding Gaylord of an impressionist painting.

“This speckled light passing through the tent and playing at leisure on the bodies of these men reminds me of Renoir’s paintings at the Kimbell,” Gaylord said.

For the fourth series, Shore events, Lê switches to color to photograph the crews of American ships around the world. Photographed for nine years, it documents diplomatic, humanitarian and political activities, showing the global reach of the US military.

“She really never photographs real fights. It is its reconstitution, its preparation. It’s everything the military does that isn’t a fight, ”Gaylord said.

An-My Le Amon Carter American Art Museum


Courtesy of the artist and the Marian Goodman Gallery, New York, Paris and London

An-My Lê (born in 1960), Fresh Water Wash-Down of Super Structure, USS Ronald Reagan, North Arabian Gulf, 2009, inkjet print, © An-My Lê. Courtesy of the artist and the Marian Goodman Gallery, New York, Paris and London

From a striking portrait of the hospital ship, Pity, a photograph of men washing the side of a ship, Lê captures exquisite images of the awe-inspiring and the mundane.

Lê continues to work on General silent, the fifth series of the exhibition.

“This series, which is ongoing, expands outward and becomes much more open and poetic as it begins to look beyond that and other depictions of the division in this country, of the protests. on other topics, the 2016 election, and now COVID-related footage, ”Gaylord said.

An-My Le Amon Carter American Art Museum


Courtesy of the artist and the Marian Goodman Gallery, New York, Paris and London

An-My Lê (born in 1960), Fragment VI: General Robert E. Lee and PGT Beauregard Monuments, Homeland Security Storage, New Orleans, 2017, inkjet print, © An-My Lê. Courtesy of the artist and the Marian Goodman Gallery, New York, Paris and London

The series began in 2015 with Le photographing on the set of Jones Free State, an American Civil War drama starring Matthew McConaughey. Focusing on the legacy of the Civil War, Lê’s photographs removed monuments of the Civil War, current protest movements, border areas, and farm workers.

Lê took these photographs in Louisiana, California, Texas and New York, all contested grounds. Each photograph shows how this nation’s current socio-political conflicts are rooted in its history. Lê’s photographs are an invitation to a contemporary discussion.

“It’s very open,” Gaylord said.

Learn more: https://www.cartermuseum.org/



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Saratoga Children’s Museum to Move to Saratoga Spa State Park | Local News http://ruthdiltsdesign.com/saratoga-childrens-museum-to-move-to-saratoga-spa-state-park-local-news/ http://ruthdiltsdesign.com/saratoga-childrens-museum-to-move-to-saratoga-spa-state-park-local-news/#respond Sun, 20 Jun 2021 19:00:00 +0000 http://ruthdiltsdesign.com/saratoga-childrens-museum-to-move-to-saratoga-spa-state-park-local-news/ SARATOGA SPRINGS, NY – A local museum is taking action to better serve children across the Capital Region. The Saratoga Children’s Museum plans to relocate from its home at 69 Caroline Street in downtown Saratoga Springs to the Lincoln Baths building in Saratoga Spa State Park. Approximately 16,000 square feet in size – twice the […]]]>


SARATOGA SPRINGS, NY – A local museum is taking action to better serve children across the Capital Region.

The Saratoga Children’s Museum plans to relocate from its home at 69 Caroline Street in downtown Saratoga Springs to the Lincoln Baths building in Saratoga Spa State Park.

Approximately 16,000 square feet in size – twice the size of the museum’s current space – the new site is on Route 9, a few miles from Northway Exit 13, and located in a park that is already a destination for many.

Leaders of organizations like Sarah Smith hope the change will make the museum more accessible to children in other parts of the region.

Smith, who started as executive director in November 2019, said the museum board’s main goals detailed in its most recent strategic plan are to serve the entire capital region and move to a larger location.

“When you get 40,000 people a year through this building, it gets crowded,” said Smith, noting that parking can also be difficult and the downtown area of ​​the city can be difficult for visitors to navigate. .

By relocating to Saratoga Spa State Park, the museum aims to create a more welcoming environment for guests, Smith said.

The park is also home to the National Dance Museum, the Saratoga Automobile Museum, and the Saratoga Performing Arts Center. “The connection with other cultural institutions is great,” said Smith, also mentioning the park’s Creekside Classroom Environmental Education Center.

Although plans to move were already in the works when the pandemic hit, Smith said the museum’s 15-month closure due to COVID-19 left staff time to imagine how to improve for the future.

Many of these thoughts were related to space, which will double in the new place. “We’ve had to reorganize the way we work here, and that underlines how tight things are,” said Smith, “and you really need that distance to be able to serve children better, even after the pandemic. “

During the pandemic, the Saratoga Children’s Museum began delivering hands-on science kits to the children of Troy through the Capital Region Boys and Girls Clubs Food Aid Program. Through a partnership with the YMCA, the museum also carried out a new educational program in one of Troy’s housing communities.

“We’re trying to reach the Troy and Albany area, and a little bit outside,” Smith said. “We’re also trying to reach above us in Warren County, just to make sure we reach those kids who can’t necessarily come here.”

The museum strives to be accessible to all by offering a reduced admission fee of $ 1 per person to families receiving benefits under the Supplemental Nutrition Assistance Program (SNAP). “We want to make sure that anyone who wants to come can afford to come,” Smith said.

While the museum’s framework currently focuses on children aged eight and under, it also plans to expand its offering to serve children aged nine to 12.

The idea of ​​the Saratoga Children’s Museum in Lincoln Baths dates back to the organization’s inception. The founders, a group of nine local families, originally envisioned establishing the museum in this building in 1990. Instead, the museum debuted in downtown Saratoga Springs, on the Downstreet Marketplace on Broadway, before moving to moving to Phila Street, then to its long located on Caroline Street, where it has been operating for 20 years.

Soon the museum will be planting new roots at Saratoga Spa State Park, in a part of the historic Lincoln Baths building that has not been occupied in years. The two organizations have entered into a 20-year partnership agreement.

The museum’s new footprint, with an entrance at the rear of the building, will include exhibition space, classrooms and an outdoor courtyard. The entire museum is designed with an emphasis on accessibility, safety and inclusiveness.

The upcoming move is expected to start in the fall, when the museum is generally slow. The museum plans to be opened somehow over the winter before officially reopening next spring in its new home.

The museum will remain open at its current location throughout the summer season.

The Caroline Street building is being sold for $ 2,100,000.

More information about the Saratoga Children’s Museum is available online at cmssny.org or by calling (518) 584-5540.



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Explorations V to become Florida Children’s Museum in Bonnet Springs http://ruthdiltsdesign.com/explorations-v-to-become-florida-childrens-museum-in-bonnet-springs/ http://ruthdiltsdesign.com/explorations-v-to-become-florida-childrens-museum-in-bonnet-springs/#respond Sat, 19 Jun 2021 16:03:44 +0000 http://ruthdiltsdesign.com/explorations-v-to-become-florida-childrens-museum-in-bonnet-springs/ Explorations V Children’s Museum is shifting to a new identity: Florida Children’s Museum. The rebranding initiative reflects the growth of the museum and will be used when it opens next year at Bonnet Springs Park, currently under development in Lakeland. The rebranding includes a modern and fancy logo, a new website and a social media […]]]>


Explorations V Children’s Museum is shifting to a new identity: Florida Children’s Museum.

The rebranding initiative reflects the growth of the museum and will be used when it opens next year at Bonnet Springs Park, currently under development in Lakeland. The rebranding includes a modern and fancy logo, a new website and a social media presence, the museum said in a press release.

Museum visitors will continue to see the Explorations V Children’s Museum logo and branding at the current location in the Kress Building in downtown Lakeland.

After:Bonnet Springs Park begins to take shape despite the challenges

New exhibits and programs at Bonnet Springs Park will serve an expanded age group of children from birth to 12 years old. The 47,800-square-foot facility will welcome approximately 100,000 annual visitors, double the current average attendance, the statement said.



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The Louisville Slugger Museum marks historic objects by Johnny Bench http://ruthdiltsdesign.com/the-louisville-slugger-museum-marks-historic-objects-by-johnny-bench/ http://ruthdiltsdesign.com/the-louisville-slugger-museum-marks-historic-objects-by-johnny-bench/#respond Fri, 18 Jun 2021 18:00:00 +0000 http://ruthdiltsdesign.com/the-louisville-slugger-museum-marks-historic-objects-by-johnny-bench/ LOUISVILLE, Ky. – Two of Johnny Bench’s Louisville Slugger bats and one of his 10 Gold Glove Awards are now on display in the main gallery of the Louisville Slugger Museum & Factory. What would you like to know Two Johnny Bench Louisville Slugger bats and one of his Gold Glove Awards are now on […]]]>


LOUISVILLE, Ky. – Two of Johnny Bench’s Louisville Slugger bats and one of his 10 Gold Glove Awards are now on display in the main gallery of the Louisville Slugger Museum & Factory.


What would you like to know

  • Two Johnny Bench Louisville Slugger bats and one of his Gold Glove Awards are now on display at the Louisville Slugger Museum & Factory
  • Bats and the Golden Glove will remain on display until at least 2023
  • Advanced tickets to view these artifacts are recommended and can be purchased at sluggermuseum.com

These historic artifacts will remain on display until at least March 2023, museum officials said in a press release.

“We are delighted and honored to share these pieces from Johnny Bench’s personal collection with our guests,” said Anne Jewell, Vice President and Executive Director of the Louisville Slugger Museum & Factory in a written statement. “We have lived so many wonderful years with Johnny. Every time he walks through our doors he delights our guests with his warmth and good humor. Now even when he is not there in person, Johnny can be connect with his fans through these wonderful elements. “

Johnny Bench’s artifacts on display at the Louisville Slugger Museum & Factory in June 2021 (Louisville Slugger Museum)

The museum added the bat the bench swung in the 1968 All-Star game, the bat he hit his last of 389 career home runs in 1983 and the Golden Glove, the fifth he got in his career in 1972, on loan from the baseball legend, who played his entire career with the Cincinnati Reds from 1967 to 1983, officials said.

Bench and his family loaned these and other objects to several museums across the country after a close friend of Bench’s purchased them at the 17th Annual Louisville Slugger Museum & Factory Live Auction with Hunt Auctions in 2020, according to the press release.

Johnny Bench’s artifacts on display at the Louisville Slugger Museum & Factory in June 2021 (Louisville Slugger Museum)

Other museums that have received historical artifacts from Bench’s collection are the Baseball Hall of Fame and Museum, the Cincinnati Reds Hall of Fame and Museum, the Oklahoma Sports Hall of Fame, and the Johnny Bench Museum in Binger, Oklahoma, according to the Press release.

“What better place to land some of my favorite memories than the very house where my bats were born?” Bench said in a written statement. “Louisville Slugger has been with me every step of my career. Together we have launched many hits, tours and very special memories. This makes Louisville Slugger Museum & Factory a perfect partner during this rewarding time in my life. I can focus on my family and know that these historic items are in good hands and that fans can enjoy. “

Bench signed with Louisville Slugger in 1965. He was the National League Rookie of the Year and went on to become one of the leaders of the Big Red Machine that dominated the National League in the 1970s. World Series in 1975 and 1976 and won two National League MVP awards and was inducted into the National Baseball Hall of Fame in 1989.

He received the Lousiville Slugger Museum & Factory Living Legend Award in 2011.

Advanced tickets to view these artifacts are recommended and can be purchased at sluggermuseum.com,



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Paso Robles Children’s Museum to reopen after 15 months • Paso Robles Press http://ruthdiltsdesign.com/paso-robles-childrens-museum-to-reopen-after-15-months-paso-robles-press/ http://ruthdiltsdesign.com/paso-robles-childrens-museum-to-reopen-after-15-months-paso-robles-press/#respond Thu, 17 Jun 2021 12:43:56 +0000 http://ruthdiltsdesign.com/paso-robles-childrens-museum-to-reopen-after-15-months-paso-robles-press/ It’s time to start playing again! PASO ROBLES – On Tuesday June 15th, the Paso Robles Children’s Museum announced its reopening to the public on Friday June 18th. The museum has been closed for 15 months and they are asking for community support to help open the doors. The opening hours and days of the […]]]>


It’s time to start playing again!

PASO ROBLES – On Tuesday June 15th, the Paso Robles Children’s Museum announced its reopening to the public on Friday June 18th.

The museum has been closed for 15 months and they are asking for community support to help open the doors.

The opening hours and days of the Museum will be modified over the next few months to be open from Friday to Monday from 11 a.m. to 3 p.m.

Go through this together, Paso Robles

“We are very happy to reopen the Museum safely and welcome back children and their families,” said Jennifer Smith of the Children’s Museum. “The museum has been closed for far too long and we can’t wait to see all the kids!”

Smith added, “Opening the doors is a big job, and we worked hard to get everything cleaned up and ready for a fun break. We could really use the help of the community because it was an expensive endeavor.

Donations to the Museum will be worth double! Thanks to the support of the Museum’s generous donor, every dollar will be matched up to $ 10,000 and will go directly to the Museum and the children and families who play there.

For more information on how you can help, please contact Jennifer Smith at jennifer@pasokids.org or visit the Museum’s website to donate.

About the Paso Robles Children’s Museum

The Paso Robles Volunteer Fire Station Children’s Museum is a 501 (c) non-profit organization that serves children and families of the general public. The Museum engages children in a joyful play-learning environment to inspire educational curiosity while honoring the legacy of our volunteer firefighters. The museum is located at 623 13th St. in the heart of downtown Paso Robles.



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Harvard Art Museums Appoints Horace D. Ballard Associate Curator of American Art http://ruthdiltsdesign.com/harvard-art-museums-appoints-horace-d-ballard-associate-curator-of-american-art/ http://ruthdiltsdesign.com/harvard-art-museums-appoints-horace-d-ballard-associate-curator-of-american-art/#respond Wed, 16 Jun 2021 11:58:53 +0000 http://ruthdiltsdesign.com/harvard-art-museums-appoints-horace-d-ballard-associate-curator-of-american-art/ HARVARD ART MUSEUMS announced the appointment of Horace D. Ballard, who will be Theodore E. Stebbins Jr. Associate Curator of American Art. Ballard arrives from the Williams College Museum of Art, where he is Curator of American Art. His appointment to Harvard is effective September 1. “Horace’s scholarship and curatorial vision, combined with his experience […]]]>


HARVARD ART MUSEUMS announced the appointment of Horace D. Ballard, who will be Theodore E. Stebbins Jr. Associate Curator of American Art. Ballard arrives from the Williams College Museum of Art, where he is Curator of American Art. His appointment to Harvard is effective September 1.

“Horace’s scholarship and curatorial vision, combined with his experience of engaging and teaching in university museums, make him an ideal addition to our team at a critical time,” said Director of Harvard Art Museums, Martha Tedeschi, in a statement.

“My colleagues and I are delighted to welcome him and look forward to working closely on the ongoing redesign and reframing of our galleries and collections, with the aim of presenting new perspectives on the definition of American art for the 21st century. “


Curator Horace D. Ballard specializes in the artistic and visual cultures of the United States as well as 17th and 18th century art from the British, Portuguese and Spanish colonies of the Americas. His research interests include the history of photography, portraits of the Atlantic world in the 18th and 19th centuries, artists Thomas Eakins and Benjamin West, and the material and visual cultures of religion. | Photo by Jeneene Chatowsky

BALLARD JOINED The Williams College Museum of Art (WCMA), Williamstown, Mass., As Assistant Curator (2017-19) and became Curator of American Art. He also teaches, as an affiliate professor in the Joint Graduate Program in Art History at the nearby Williams and Clark Art Institute.

During his tenure at WCMA, Ballard curated six exhibitions, including ‘Landmarks’ (2020), an investigation that examined’ how human beings have used photographic processes to orient and define themselves in relation to the natural and built environment ”; “James Van Der Zee: Collecting History” (2019); “Possible months: queer foto vernaculars” (2018-19); and “Sam Gilliam in Dialogue” (2018).

Upcoming projects include “To Shape a Moon from Bone” (2022), a posthumous investigation into sculptor Mary Ann Unger (1945-1998) and The Emancipation Project (1863-2023), which Ballard co-organizes with Maggie Adler at Amon Carter Museum of American Art in Fort Worth, Texas.

Previously, Ballard held positions at the Monticello / Thomas Jefferson Foundation Historic Site; as curator of education at the Birmingham Museum of Art; educator at the Rhode Island School of Design Museum;
at the Yale University Art Gallery; and the Fralin Museum of Art at the University of Virginia.

“My colleagues and I are delighted to welcome (Horace Ballard) and look forward to working closely on the ongoing redesign and reframing of our galleries and collections, with the aim of presenting new perspectives on defining the American art for the 21st century. “
– Martha Tedeschi, Director of Harvard Art Museums

BALLARD BRINGS unique academic training to its curatorial practice. He obtained a double BA in English Literature and American Studies from the University of Virginia (2006); an MAR in Religion and Visual Culture from the Institute of Sacred Music and Yale Divinity School (2010), and also holds a Masters (2012) and PhD. (2017), Degrees in American Studies and American Visual Culture from Brown University.

The Harvard Art Museums are a collective of three museums and four research centers whose collections total approximately 250,000 objects through mediums; extend from Antiquity to the Middle Ages and from the modern era to the present day; and represent American, European, Asian, Mediterranean, Near Eastern, Islamic and later Indian art.

Curator, professor and theologian, Ballard joins the Harvard Art Museums Division of European and American Art, where he will oversee the collection of pre-20th century American paintings, sculptures and decorative arts and work with fellow museums on exhibitions. and acquisitions. It will also identify opportunities for collaboration with other Harvard entities, including academic programs in American and African American Studies and the Peabody Museum of Archeology and Ethnology.

“I believe in the vast potential of university museums to sharpen the ethics of our attention,” Ballard said in a statement.

“The Harvard Art Museums have long been a laboratory of innovative and multidisciplinary approaches to the material and visual cultures of human civilization. I spent time in collections as a graduate student, and I experienced first-hand the power of art to instigate empathy, wonder, and socio-political change. The field of American art is in a period of calculation and reflection; I am delighted to be joining the Harvard Art Museums at such an exciting time. CT

LEARN MORE Horace D. Ballard recently spoke with curator Antwaun Sargent at the American Folk Art Museum in New York. look here

BOOKSHELF
To learn more about Harvard Museums and the related curriculum, see “The Art of Conservation: Paul J. Sachs and the Harvard Museum Course” and “Harvard’s Art Museums: 100 Years of Collecting.” From Harvard University Press, “Marking Time: Art in the Age of Mass Incarceration” by Nicole R. Fleetwood, was recently published.

TYPE OF SUPPORT CULTURE
Do you like and appreciate the type of culture? Please consider supporting its ongoing production by making a donation. Culture Type is an independent art history project that requires countless hours and expense to research, report, write, and produce. To help maintain it, make a one-time donation or sign up for a recurring monthly contribution. It just takes a minute. Thank you very much for your support.





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The Paso Robles Children’s Museum will reopen this Friday http://ruthdiltsdesign.com/the-paso-robles-childrens-museum-will-reopen-this-friday/ http://ruthdiltsdesign.com/the-paso-robles-childrens-museum-will-reopen-this-friday/#respond Tue, 15 Jun 2021 17:04:00 +0000 http://ruthdiltsdesign.com/the-paso-robles-childrens-museum-will-reopen-this-friday/ – The Paso Robles Children’s Museum will reopen to the public on Friday, June 18. The museum has been closed for 15 months. The museum is asking for community support to help open the doors. The opening hours and days of the museum will be modified in the coming months. They will be open from […]]]>


– The Paso Robles Children’s Museum will reopen to the public on Friday, June 18. The museum has been closed for 15 months. The museum is asking for community support to help open the doors. The opening hours and days of the museum will be modified in the coming months. They will be open from Friday to Monday from 11 a.m. to 3 p.m.

“We are very happy to reopen the museum safely and welcome back the children and their families,” said Jennifer Smith of the Children’s Museum. “The museum has been closed for far too long and we can’t wait to see all the kids,” she said. Smith went on to say that “opening the doors is a big job and we worked hard to get everything cleaned up and ready for a fun playtime. We could really use the help of the community because it was an expensive endeavor.

Donations to the museum will be worth double. With the support of a generous museum donor, every dollar will be matched up to $ 10,000 and will go directly to the museum and the children and families who play there, Smith said. For more information on how you can help, please contact Jennifer Smith at jennifer@pasokids.org or visit the museum’s website to donate through GoFundMe or PayPal.

About the Paso Robles Children’s Museum

The Paso Robles Volunteer Fire Station Children’s Museum is a 501 (c) non-profit organization that serves children and families of the general public. The museum engages children in a joyful play-learning environment to inspire educational curiosity while honoring the legacy of our volunteer firefighters. The museum is located at 623 13th St. in the heart of downtown Paso Robles.

In addition to this, you will need to know more about it.

In addition to this, you will need to know more about it.

About the Author: Staff News

Paso Robles Daily News press staff wrote or edited this story based on local contributors and press releases. News staff can be reached at info@pasoroblesdailynews.com.



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The museum complex has a smooth opening | Local http://ruthdiltsdesign.com/the-museum-complex-has-a-smooth-opening-local/ http://ruthdiltsdesign.com/the-museum-complex-has-a-smooth-opening-local/#respond Mon, 14 Jun 2021 19:00:00 +0000 http://ruthdiltsdesign.com/the-museum-complex-has-a-smooth-opening-local/ Members of the Friends of the East Broad Top (FEBT) nonprofit on Saturday celebrated a ‘smooth’ grand opening of their new FEBT museum complex with tours of the former Robertsdale Post Office and the former mining area. The threat of rain didn’t stop EBT fans from learning about the history of the narrow gauge railway […]]]>


Members of the Friends of the East Broad Top (FEBT) nonprofit on Saturday celebrated a ‘smooth’ grand opening of their new FEBT museum complex with tours of the former Robertsdale Post Office and the former mining area.

The threat of rain didn’t stop EBT fans from learning about the history of the narrow gauge railway that opened to the new mining town of Robertsdale in the late fall of 1874.

Deep mining began at nearby Rockhill Iron and Coal Co. No.1 Mine a year earlier, followed by the opening of four more mines in the latter part of the 19th century. Additional mines were opened south of Robertsdale in the new mining village of Wood from 1891.

Founded in 1983, the 1,500 member FEBT is dedicated to the preservation, restoration and interpretation of the Coal Haulage EBT which made its last commercial tour to Robertsdale on March 31, 1956. Reopened as a tourist attraction in southern Huntingdon County in 1960, the EBT entered into tourist service in 2011, but was acquired by the new EBT Foundation Inc. in 2020 and intended for a return to “full” service later this year.

In addition to many years of restoration work in Robertsdale, FEBT is also involved in various restoration projects at EBT’s headquarters in Rockhill where two steam locomotives are being rehabilitated for tourist service.

FEBT, which owns and operates the original EBT depot and the neighboring Robertsdale (former) post office, has created numerous exhibits on the ground floor of the two-story former post office which can be viewed free (donations are greatly appreciated) on the second and fourth Saturdays of the month, June to October, 10 a.m. to 5 p.m. The museum schedule matches the EBT Railroad schedule.

“From the mines to the market” is the theme of the new FEBT museum complex which is still in production with the “soft” opening on Saturday serving as a teaser for what will happen in the future.

Visitors and FEBT members toured the new museum and had the opportunity to take a look inside the EBT depot, the roof of which is due to be replaced this fall.

Last fall, several original EBT coal hoppers were hauled to Robertsdale and placed on restored narrow gauge tracks. Plans call for further improvements to the museum complex as well as tours of nearby coal mines and the remains of several EBT structures once used in the operation of the railway during its era of public transport on the historic (east) Broad Top Mountain and Coal Field.

Overseen by FEBT activists Pete and Jane Clarke of Damascus, Maryland, the Robertsdale Museum complex is located in “Company Square” which once housed the office of Rockhill Coal Co. (now the Robertsdale Post Office) and across Railroad Avenue, the company’s store that was leveled in the late ’90s.

Saturday’s celebration drew many visitors, including many FEBT members, who also enjoyed a tour of the mining area south of the museum as well as the nearby Broad Top Area Coal Miners Museum.

In addition to their role at Robertsdale, Pete Clarke is FEBT Membership Coordinator while Jane Clarke is Editor-in-Chief of FEBT’s award-winning Timber Transfer magazine.

Visitors were particularly captivated by the old coal hoppers and partially restored railway tracks leading to Mine No.5. Subject to weather conditions and number of visitors, tours of the mining area will be provided by Jane Clarke and d ‘other FEBT volunteers on Saturday.

A spacious gift shop was also open to the public and offered a variety of FEBT souvenirs as well as useful tourist brochures.

For more information on FEBT, its ongoing restoration work in Robertsdale and Rockhill, log on to www.febt.org.



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Indoor exhibits and galleries below the bridge to reopen at the Maritime Museum on June 15 – NBC 7 San Diego http://ruthdiltsdesign.com/indoor-exhibits-and-galleries-below-the-bridge-to-reopen-at-the-maritime-museum-on-june-15-nbc-7-san-diego/ http://ruthdiltsdesign.com/indoor-exhibits-and-galleries-below-the-bridge-to-reopen-at-the-maritime-museum-on-june-15-nbc-7-san-diego/#respond Sun, 13 Jun 2021 22:35:55 +0000 http://ruthdiltsdesign.com/indoor-exhibits-and-galleries-below-the-bridge-to-reopen-at-the-maritime-museum-on-june-15-nbc-7-san-diego/ The San Diego Maritime Museum has announced that it will reopen its indoor exhibits and galleries below the bridge on June 15. In addition to the reopening below deck, the USS Dolphin submarine will also open. “We are delighted to reopen our interior visitation areas after these popular spaces have been temporarily closed for fifteen […]]]>


The San Diego Maritime Museum has announced that it will reopen its indoor exhibits and galleries below the bridge on June 15.

In addition to the reopening below deck, the USS Dolphin submarine will also open.

“We are delighted to reopen our interior visitation areas after these popular spaces have been temporarily closed for fifteen months to comply with state guidelines during the pandemic,” said Raymond Ashley, president and CEO of the museum. “Thank you to our generous donors, members, community of supporters, dedicated staff and volunteers, we have survived this pandemic and together look forward to welcoming San Diego residents and visitors back to our immersive experience on the waterfront. some water. “

Additional sanitation, disinfection and cleaning procedures will continue even with the lifting of state health guidelines, the museum said.

The reopened exhibits include maritime galleries and artifacts and photographic exhibits found throughout the fleet, including aboard the Star of India, the 1898 Berkeley Steam Ferry, the replica of the Navy frigate HMS Surprise, the replica of the Spanish galleon San Salvador, the official state tall ship, California, 1904 Steam yacht Medea, and the USS Dolphin submarine.

The Russian Foxtrot B-39 class attack submarine remains closed. Adventures Sails will resume this summer, the museum said.

The Museum is open daily from 10 a.m. to 5 p.m. Tickets cost $ 20 for adults and $ 10 for children 12 and under. Seniors (62+), military, and students can enter for $ 15. Maritime Museum Bay boat tours are charged extra per person.

Visitors can purchase tickets online in advance. Ticket offices at museums near the attraction will still sell tickets, but bring a credit or debit card as cash will not be accepted.

The Maritime Museum Gift Store located on the lower deck of the Berkeley Steam Ferry will also reopen from 10 a.m. to 5 p.m.



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Christian County Museum and Historical Society collects artifacts for 2021 time capsule http://ruthdiltsdesign.com/christian-county-museum-and-historical-society-collects-artifacts-for-2021-time-capsule/ http://ruthdiltsdesign.com/christian-county-museum-and-historical-society-collects-artifacts-for-2021-time-capsule/#respond Sat, 12 Jun 2021 23:01:52 +0000 http://ruthdiltsdesign.com/christian-county-museum-and-historical-society-collects-artifacts-for-2021-time-capsule/ CHRISTIAN COUNTY, Mo. (KY3) – The Christian County Museum and Historical Society is looking to collect material for a time capsule depicting Christian County in 2021. This comes as the date of a time capsule excavation approaches a century ago. In 1921, residents compiled material for a time capsule that was placed behind the cornerstone […]]]>


CHRISTIAN COUNTY, Mo. (KY3) – The Christian County Museum and Historical Society is looking to collect material for a time capsule depicting Christian County in 2021.

This comes as the date of a time capsule excavation approaches a century ago. In 1921, residents compiled material for a time capsule that was placed behind the cornerstone of a then newly constructed Christian County courthouse.

Citizens, business owners, schools and students are encouraged to collect articles for the 2021 capsule, especially articles that reflect Christian County.

Shannon Mawhiney, president of the Christian County Museum and Historical Society, says they also want to show what life was like during and after the COVID-19 pandemic.

“We hope people get creative and give us everything that represents their lives right now,” Mawhinney said. “We try to stick to anything that won’t damage other things in the time capsule.”

Items donated include masks, paintings, photographs and T-shirts.

Although Saturday is the last official day to donate, you can still call the historical society to request a donation.

To report a correction or typo, please send an email digitalnews@ky3.com

Copyright 2021 KY3. All rights reserved.



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