Museums – Ruth Dilts Design http://ruthdiltsdesign.com/ Sun, 26 Sep 2021 00:10:08 +0000 en-US hourly 1 https://wordpress.org/?v=5.8 http://ruthdiltsdesign.com/wp-content/uploads/2021/04/default1.png Museums – Ruth Dilts Design http://ruthdiltsdesign.com/ 32 32 “I’m Back Home”: Former Executive Director of the Avoca Museum Joins the Old Town Cemetery Team | Local News http://ruthdiltsdesign.com/im-back-home-former-executive-director-of-the-avoca-museum-joins-the-old-town-cemetery-team-local-news/ http://ruthdiltsdesign.com/im-back-home-former-executive-director-of-the-avoca-museum-joins-the-old-town-cemetery-team-local-news/#respond Sun, 26 Sep 2021 00:00:00 +0000 http://ruthdiltsdesign.com/im-back-home-former-executive-director-of-the-avoca-museum-joins-the-old-town-cemetery-team-local-news/ On October 7, the cemetery will begin its 14th year of candlelight visits. During a winding walk through the park, visitors will stop at various tombs and listen to stories from historical performers. Each year tells the story of a different group of characters, and among that year’s stories, McDonald said, is a “gentlelady” who […]]]>

On October 7, the cemetery will begin its 14th year of candlelight visits. During a winding walk through the park, visitors will stop at various tombs and listen to stories from historical performers.

Each year tells the story of a different group of characters, and among that year’s stories, McDonald said, is a “gentlelady” who lived at Point of Honor, an African-American tombstone sculptor, a beloved town doctor and the second black principal of the former Dunbar High School, which closed in 1970.

While Hudson helps organize and promote tours, the cemetery also has a brand new artistic director in Loretta Wittman, associate professor of theater at Lynchburg University.

The tours are Hudson’s first big event – “trial by fire,” he laughed – and by describing his ancestor Cornelius Gilliam, he will help welcome and present the tours. Her period dress, a long brown coat, and a straw hat, hung in the corner of her desk. He said the program is a speaking opportunity for people who no longer have a voice, a “huge and awesome responsibility”.

“It gives the story a human face, and you come out of it realizing that history is something real people have gone through,” Hudson said. “Sure, we know it intellectually, but often times we don’t realize it.”

Cornelius Gilliam enlisted in the Civil War as a Private in Blount’s Battery in Lynchburg. He served as a “teammate” and drove vehicles, artillery darts, and artillery pieces, tending to mules and horses.


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Jazz @ CAM returns to the Cameron Art Museum http://ruthdiltsdesign.com/jazz-cam-returns-to-the-cameron-art-museum/ http://ruthdiltsdesign.com/jazz-cam-returns-to-the-cameron-art-museum/#respond Sat, 25 Sep 2021 10:04:43 +0000 http://ruthdiltsdesign.com/jazz-cam-returns-to-the-cameron-art-museum/ “If you have to ask what jazz is, you’ll never know.” – Louis Armstrong But if you want to know what jazz is, you can find out when the Cameron Art Museum in partnership with Cape Fear Jazz Society returns for its 11th year of Jazz @ CAM. The Jazz @ CAM series will feature […]]]>

“If you have to ask what jazz is, you’ll never know.” – Louis Armstrong

But if you want to know what jazz is, you can find out when the Cameron Art Museum in partnership with Cape Fear Jazz Society returns for its 11th year of Jazz @ CAM.

The Jazz @ CAM series will feature the best of local and regional jazz on the first Thursday evening of each month from October through April 2022. The series will begin October 7 with Bajissima Latin Jazz and continue with Darryl “Soul Sax “Murrill, November 4; Benny Hill Unplugged, December 2. In 2022, the series will star Brian Miller Quartet on January 6; John Brown Quintet, date TBD .; Ti Harmon and THRIO with Andrew Berinson, March 3; and ends with the El Jaye Johnson Band on April 7.

To purchase tickets or for more information, visit https://cameronartmuseum.org/.

Nathalie Boeyink

Bajissima Latin Jazz is the latest project from bassist Natalie Boeyink. Featuring a musical talent cultivated in North Carolina, Bajissma’s sound is brought to life by the catchy and infectious beats of Latin America and the Caribbean. Trombonist Joe Dowdy, retired member of the US Navy Band, will join Boeyink in the quintet; Lynn Grissett, masterful improviser; Carlos Garcia, pianist; and Jon Hill, a drummer.

Darryl Murrill

Darryl Murrill started playing the saxophone at the age of 13. He is proficient in alto, soprano and tenor saxophones. Murrill shared the stage with greats like Tom Brown and Marcus Anderson. Murrill’s roots are musically inspired and started in the church. The uniqueness of its musicality is attributed to this early exposure to hymns, negro spirituals and gospel music.

Benny Hill

Over the past twenty years, Benny Hill has performed in a diverse set of musical groups and engagements, ranging from orchestral pits and cruise ships to artist and featured soloist in many venues. across the country and abroad.

Hill holds a Bachelor of Music from the University of North Carolina at Wilmington and a Masters of Music from Northern Illinois University. He currently resides in Wilmington, North Carolina, and is an Assistant Professor at Cape Fear Community College.


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Miniature means more with the Little Museum of Art – The Cavalier Daily http://ruthdiltsdesign.com/miniature-means-more-with-the-little-museum-of-art-the-cavalier-daily/ http://ruthdiltsdesign.com/miniature-means-more-with-the-little-museum-of-art-the-cavalier-daily/#respond Fri, 24 Sep 2021 19:47:00 +0000 http://ruthdiltsdesign.com/miniature-means-more-with-the-little-museum-of-art-the-cavalier-daily/ It’s a known fact that anything miniature is undeniably cute. Small houses, pets, and food have always received a lot of attention in popular culture, usually for good reason. Who knew that miniature museums could have the same awe-inspiring appeal? The new Fralin exhibition clearly shows the joys of the miniature. The Little Museum of […]]]>

It’s a known fact that anything miniature is undeniably cute. Small houses, pets, and food have always received a lot of attention in popular culture, usually for good reason. Who knew that miniature museums could have the same awe-inspiring appeal? The new Fralin exhibition clearly shows the joys of the miniature.

The Little Museum of Art exhibition is the epitome of small art that packs a punch. It’s truly impressive how many swirling details each artist has conveyed in such a small space – see the awe-inspiring display for yourself just outside of the Fralin until November 28th. If potential viewers somehow miss this generous window of time, the exhibition will reopen vigorously in the spring of 2022.

This ingenious miniature museum was inspired by the Little Free Library movement, as well as other small galleries created during the pandemic. Another driving force was the desire to involve student artists, local creators and viewers. Plus, the Little Museum of Art is the exhibition that keeps on giving, as the works in this museum are rotated to constantly showcase new artists and exciting pieces.

Fans of the Little Museum will be happy to know that they can get these works of art as soon as they are removed from the exhibition. Each piece will ultimately be transferred to The Free Little Museum store. From there, art lovers have the unique opportunity to pick up one of these pieces or even exchange them for one of their personal creations. The small museum and museum shop can be found outside on Cornell Plaza 24 hours a day.

Despite its size, the Little Museum of Art makes a strong connection to the community – its sharing principles complement its accessible viewing hours, and the exhibit is even adorned with miniature solar panels for easy nighttime viewing.

As museum visitors approach the exhibit, a myriad of vivid colors will immediately reach their eyes. These colors are translated through mediums varying from watercolor to bronze through recycled plastic film. The mixed art contained in this space challenges the eye of the mind with its varied textures and depth with works by Betsy Tucker, Mia Villani and Chrissy Morgan Gibbons.

A central theme of the Little Museum of Art – at least until September 23, as the exhibition is constantly evolving – seems to be nature. Fingertip-sized birds and shocking azure waves from Gibbons and Vidya Ambati, respectively, are setting the trend. Julia Kindred’s pastoral views also effectively simulate nature in a calming, palm-sized way. However, details on paper and canvas abound. The deep skies roll up on each edge of the canvas, taking advantage of the small space allotted to them.

Zhiwen Xu’s colored pencil and ink on paper are also particularly striking. The amount of color thrown on this little piece of paper is exceptional. If viewers stand close enough, they can see chartreuse mixing with vermilion, indigo with aquamarine. All of the colors are interrupted by perfectly random ink lines, with what appear to be patches of copper scattered throughout.

Viewers and artists may naturally want to get involved in this innovative museum. If so, they can contact Lisa Jevack at laj2m@virginia.edu.


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Future Sultana Disaster Museum Announces Memorial Brick Fundraiser | New http://ruthdiltsdesign.com/future-sultana-disaster-museum-announces-memorial-brick-fundraiser-new/ http://ruthdiltsdesign.com/future-sultana-disaster-museum-announces-memorial-brick-fundraiser-new/#respond Fri, 24 Sep 2021 04:00:00 +0000 http://ruthdiltsdesign.com/future-sultana-disaster-museum-announces-memorial-brick-fundraiser-new/ MARION – The Sultana Steamboat explosion of 1865, in which 1,200 people died, was the “greatest maritime disaster in US history”. While many people have never heard of the tragedy, a small group in Marion near the disaster site formed the Sultana Historical Preservation Society and opened a modest museum in 2015. The organization is […]]]>

MARION – The Sultana Steamboat explosion of 1865, in which 1,200 people died, was the “greatest maritime disaster in US history”.

While many people have never heard of the tragedy, a small group in Marion near the disaster site formed the Sultana Historical Preservation Society and opened a modest museum in 2015. The organization is now planning another disaster. multi-million dollar Sultana. Museum, designed by Haizlip Studio of Memphis, which will be located in downtown Marion.

The Sultana Historical Preservation Society has partnered with Bricks R Us to offer anyone wishing to purchase a commemorative brick to place in the Flag Square at the entrance to the new Sultana Disaster Museum. The commemorative brick campaign will enable the participation of all those who believe in the value of giving the Sultana disaster its rightful place in history.

Flag Square is a great place for descendants of those who lived through the tragedy to commemorate their ancestors and for museum defenders to show their support.

The future museum will commemorate and honor those who lived through the horrific disaster and will preserve part of our nation’s history. The history of the Sultana has national appeal and the museum is expected to attract 50,000 visitors to Marion each year. These tourists are expected to contribute more than $ 3.5 million in spending in the delta region.


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Connecticut’s classic cinema monster wax museum turns 55 http://ruthdiltsdesign.com/connecticuts-classic-cinema-monster-wax-museum-turns-55/ http://ruthdiltsdesign.com/connecticuts-classic-cinema-monster-wax-museum-turns-55/#respond Thu, 23 Sep 2021 14:40:19 +0000 http://ruthdiltsdesign.com/connecticuts-classic-cinema-monster-wax-museum-turns-55/ Cortlandt Hull was barely 13 when he opened his Cinema Monster Museum in 1966. It was in a building his parents built in the backyard of their house in Bristol, and he charged 50 cents entry. His first exhibition was a life-size figure of a witch he nicknamed Zenobia, hence the name of the museum. […]]]>

Cortlandt Hull was barely 13 when he opened his Cinema Monster Museum in 1966. It was in a building his parents built in the backyard of their house in Bristol, and he charged 50 cents entry. His first exhibition was a life-size figure of a witch he nicknamed Zenobia, hence the name of the museum.

Celebrating its 55th anniversary, Witch’s Dungeon Classic Movie Museum now boasts 25 life-size wax figures, mostly classic horror movie characters in sets representing their films, but also science fiction and fantasy. About 2,000 pieces of movie props and authentic memorabilia are on display in films such as Dracula in Close Encounters of the Third Kind. Hull has more elements than display space, so it rotates objects, ensuring regular visitors have something new to see. The museum was previously only open in October, but after moving to Plainville from Bristol last year, it is open year round, Friday through Sunday, with guided tours. Over the years, visitors have flocked here from 40 states and 27 countries.

Memories from Witch’s Dungeon include an original headpiece of Linda Blair’s Regan MacNeil character used during the filming of The Exorcist in 1973.

Gerard Gerard

“When I started this Halloween was only celebrated one day and it was pretty boring. All you did was make treats or go to a costume ball, ”he says. “There weren’t any attractions related to classic movie monsters or anything like that, so we were the very first.”

The inspiration for the museum was twofold. Suffering from a rare blood disease as a child, Hull was mostly housebound, where he built kits of Aurora movie monsters. “The problem was they were only 8 inches tall and I wanted them full size,” he says. “I was a weird little boy. I loved going to wax museums, but my disappointment was that whenever they promoted a chamber of horrors, I expected them to be classic movie monsters. Instead, they were torture devices.

Combining his interests in model making and wax museums, Hull has created a place that pays homage to classic film actors and makeup artists. He’s still adding items and will unveil two new minifigures in October. Original movie props feature prominently in the collection, and rare items include one of two exorcist heads for Linda Blair, headdresses from The Planet of the Apes and a gold idol from Raiders of the Lost Ark. . Beginning on Thanksgiving weekend, the museum will feature “Holiday Monsters,” when visitors can see holiday-themed movie sets, including vintage toys.

RELATED: Quiz: How Many Of These Famous Horror Movies Were Made In Connecticut?

An original helmet of a Martian from

An original helmet of a Martian from “Mars Attacks!” In 1996. Seen here on display at Witch’s Dungeon in Plainville, Connecticut on August 25, 2021.

Gerard Gerard


Cortlandt Hull’s Favorite Movie Memories

The Phantom of the Opera Ensemble: “The Phantom has been one of my favorite movies since I was little, so it’s probably my favorite setting. We have Lon Chaney Sr. as the ghost and the red death in the movie,” he says.

Linda Blair’s Exorcist Head: Dressed in full demon makeup by artist Dick Smith, the head was later donated to Hull by Smith. “It’s so true and there have only been two,” Hull says. “Dick Smith was amazing, the way he taught me to do makeup and accessories.”

Black Lagoon Head Creature: Among the life-size characters, Hull is thrilled to have a prototype rare creature head, which looks more like an eel than the movie version.

French beast figurine: Hull pays homage to Beauty and the Beast with his Beast figurine from the French version of 1946, Beauty and the Beast. “It’s so elegant, and the head of the Beast – the hair has been meticulously put on, one hair at a time,” he says.

London werewolf figurine: “My great-uncle, Henry Hull, was the werewolf of London, so my figure of him as a werewolf is definitely a favorite,” he says. “If it hadn’t been for Henry, I wouldn’t have met a lot of these people in the movie business and not many people can say their uncle was a werewolf!”

This Island Earth alien helmet: From Hull’s favorite sci-fi movie as a child, the original helmet used for the alien, Metaluna Mutant. “It’s a unique design and I’ve always loved it.”

103 E., rue Main, Plainville

860-583-8306, preservehollywood.org

Hours: Fri-Sun evenings by appointment (check website for updated October hours)

Tickets: $ 9 adults, $ 4 children under 12 (cash only)




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ASU-LACMA Fellowship Program Expands to Include Pérez Art Museum in Miami http://ruthdiltsdesign.com/asu-lacma-fellowship-program-expands-to-include-perez-art-museum-in-miami/ http://ruthdiltsdesign.com/asu-lacma-fellowship-program-expands-to-include-perez-art-museum-in-miami/#respond Wed, 22 Sep 2021 22:53:00 +0000 http://ruthdiltsdesign.com/asu-lacma-fellowship-program-expands-to-include-perez-art-museum-in-miami/ September 22, 2021 The Los Angeles County Museum of Art (LACMA) and the Herberger Institute for Design and the Arts at Arizona State University are pleased to announce that the Pérez Art Museum Miami (PAMM) has joined as a new partner in the ASU-LACMA Masters Scholarship in Art History. . PAMM’s first Fellow, Emily Valdes, […]]]>
September 22, 2021

The Los Angeles County Museum of Art (LACMA) and the Herberger Institute for Design and the Arts at Arizona State University are pleased to announce that the Pérez Art Museum Miami (PAMM) has joined as a new partner in the ASU-LACMA Masters Scholarship in Art History. . PAMM’s first Fellow, Emily Valdes, joins what is now the third cohort of individuals in the program, with five new LACMA Fellows.

The ASU-LACMA Masters Scholarship was founded in 2018 as a partnership between ASU and LACMA with the goal of culturally diversifying the leadership of art museums in the United States. The three-year study program combines rigorous academic training with field experience to develop a new generation of curators, directors and other museum professionals, with the aim of investing in the existing talent pool and accelerating the careers of individuals already working on the museum staff. Fellows earn their Masters in Art History from the ASU School of Art’s Distinguished Art History Program at the Herberger Institute, while also working at LACMA, ASU Art Museum or, starting this fall , at PAMM.

ASU-LACMA Fellows Ariana Enriquez and Matthew Villar Miranda work with Janice Schopfer, Senior Curator of Paper at the LACMA Conservation Laboratory.

“We are honored to join our esteemed colleagues at LACMA and ASU,” said Franklin Sirmans, Director of PAMM. “Having seen this program come to life while working at LACMA, and then watching the first cohort rise through the ranks of their institutions, we are delighted to be a part of this important academic endeavor, and for Pérez Art Museum Miami to be represented. by our first comrade, Emily Valdes. This transformative program is another step in the process of preparing museums for the new American future, with the diverse and innovative leadership needed to make museums vibrant and alive, and an integral part of everyone’s lives.

Michael Govan, CEO of LACMA and Director of Wallis Annenberg, noted that earlier this summer ASU and LACMA celebrated the graduation of the first LACMA-ASU Masters Fellows.

“Our graduates already draw on their university education to organize exhibitions, further their research and inform their museum work,” said Govan. “Our collaboration with ASU has been deep and fruitful, and we are delighted to extend our shared commitment to advance the careers of a new generation of museum leaders by partnering with other institutions across the country. “

The first cohort of fellows, who graduated in May 2021, included Dhyandra Lawson, assistant curator in the Wallis Annenberg Department of Photography at LACMA; Celia Yang, Head of Major Gifts and Head of Strategic Initiatives for the Asia Director at LACMA; Matthew Villar Miranda, curator of ASU Art Museum, now curator of visual arts at Walker Art Center in Minneapolis; and Ariana Enriquez, deputy registrar at the ASU Art Museum. Lawson and Yang were recently promoted, reflecting the scholarship and skills each have been able to bring to their jobs through their involvement in the scholarship program. Enriquez said in a recent interview with ARTnews that the scholarship program has helped her realize “ways in which I can make transformative change within my department”. (Read the full ARTnews article on the ASU-LACMA Fellowship Program.)

“We are grateful for the many contributions the fellows have made to our courses and our academic lives,” said Angélica Afanador-Pujol, Director of the ASU-LACMA Masters Scholarship Program. “We are proud to continue to support them in their museum careers, and we welcome the addition of PAMM to the program.”

ASU-LACMA + PAMM 2021 fellows

Jayne Manuel

Jayne Manuel received her BA in Art History, Theory and Criticism with Honors from the University of California, San Diego in 2015. Manuel joined the LACMA Enrollment Department in September 2015 and is currently the Enrollment Administrator for the very active outbound loan program. Through an interdisciplinary art history / ethnic studies / transnational feminist approach, Manuel seeks to elevate Filipino artists and diaspora stories into the institutional canon. She intends to focus on Filipino art collectives of the 1980s and contemporary Filipino artists based in the United States, studying their representations of intergenerational trauma and their understanding of the transmission of collective memory.

Stephanie Rouinfar

Stéphanie Rouinfar obtained her BFA in Art History in 2015 at Savannah College of Art and Design. She joined LACMA in August 2015 as a social media intern within the communication department. In March 2016, she joined the Middle Eastern Art department as curatorial administrator. She has participated in six exhibitions, including the recent exhibition “In the Fields of Empty Days: The Intersection of Past and Present in Iranian Art”. As a member of the ASU-LACMA program, Rouinfar plans to continue studying contemporary art from the Middle East, focusing on work relating to gender and feminism.

Mariama Salia

Mariama Salia is originally from Seattle and graduated with a BA in History and Film Studies from the University of Washington in 2014. After working in the Seattle art scene, she moved to Los Angeles in 2018 to find more creative spaces. diversified allowing its expansion. She started working for the Balch Art Research Library in 2019 as an Acquisitions Assistant, purchasing and borrowing books for upcoming exhibitions, including special research projects. Her Ghanaian-Romanian background fuels her interest in making art representative and accessible, and she plans to develop an interactive project to engage with and represent other queer artists of color. Salia intends to use the vast resources of the library and museum to trace and reassess the historical boundaries faced by marginalized artists who bridge the cultural divide.

jennifer snow

Jennifer Snow is responsible for corporate partnerships at LACMA. Since joining the museum’s development department in 2015, she has played a critical role in the Corporate Partnerships team supporting LACMA’s relationships with key corporate partners including Hyundai Motor Company, Gucci , Snap Inc., Audi, The Walt Disney Company, SpaceX and more. While at LACMA, she launched and successfully managed special institutional projects such as LACMA’s very first Kickstarter campaign in 2017, bringing the world’s smallest contemporary art museum, NuMu, across multiple borders to Los Angeles. , and most recently, LACMA × Snapchat: Monumental Perspectives, a multi-year initiative that uses augmented reality to explore monuments and murals, representation and history. Snow received her BA in Art History and Communication in 2012 from the University of California, San Diego, and in 2014, she received her MA in Humanities from the University of Chicago. She is excited to resume her studies at Arizona State University, researching the convergence of art and technology and the role of museums within this intersection.

Deliasofia Zacarias

Deliasofia Zacarias is the Snap Research Fellow based in the office of the director of LACMA × Snapchat: Monumental Perspectives, an initiative that explores monuments, history and representation in public space using augmented reality. In addition to the various special projects of the director’s office, Zacarias directly supports the collaboration between the curatorial team, artists and technologists to realize the augmented reality lenses as part of Monumental Perspectives. Zacarias joined the museum in August 2019 as a LACMA Emerging Arts Professionals (LEAP) Fellow – as part of the Diversifying Art Museum Leadership initiative supported by the Walton Family Foundation and the Ford Foundation. Zacarias also sits on the board of directors of the Arts Administrators of Color Network. At ASU, Zacarias intends to research the intersection of contemporary art, feminist theory and landscape architecture and use the rich collections of LACMA and ASU. She holds a BA in Studio Art and Business Administration from Trinity University in San Antonio, where she received the Mach Fellowship and received an Award for Excellence in Art.

Emilie Valdés

Emily Valdes graduated from the University of Miami with a BA in Art History in 2015. Since then she has held various positions at the Wolfsonian FIU, Margulies Collection at the Warehouse and Lowe Art Museum. Today, she works collaboratively with curators, artists and preparers as deputy registrar at Miami’s flagship art museum, the Pérez Art Museum Miami. At PAMM, Valdes plays an active role in running a robust exhibition program, as well as in day-to-day collection management efforts. As a first generation Cuban American, Valdes is particularly interested in Latino artists who have not received the same recognition as their male contemporaries, or in Latino artists whose practices are deeply rooted in intersectional feminism. Although her conception is still nascent, she is eager to produce a fruitful body of research important for the advancement of Latina representation in museums and the recognition of their unique contributions to the canon of art history.


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Eisenhower Museum and Presidential Library remain closed to the public but hope for possible reopening | New http://ruthdiltsdesign.com/eisenhower-museum-and-presidential-library-remain-closed-to-the-public-but-hope-for-possible-reopening-new/ http://ruthdiltsdesign.com/eisenhower-museum-and-presidential-library-remain-closed-to-the-public-but-hope-for-possible-reopening-new/#respond Wed, 22 Sep 2021 13:43:00 +0000 http://ruthdiltsdesign.com/eisenhower-museum-and-presidential-library-remain-closed-to-the-public-but-hope-for-possible-reopening-new/ “The proudest thing I can say is that I am from Abilene” – Dwight D. Eisenhower June 22, 1945 A name synonymous with Abilene, residents and visitors alike know Abilene as the hometown of former President Dwight ‘Ike’ Eisenhower. That’s why, on Veterans Day in 1954, the National Archives dedicated the newly constructed museum as […]]]>

“The proudest thing I can say is that I am from Abilene” – Dwight D. Eisenhower June 22, 1945

A name synonymous with Abilene, residents and visitors alike know Abilene as the hometown of former President Dwight ‘Ike’ Eisenhower. That’s why, on Veterans Day in 1954, the National Archives dedicated the newly constructed museum as the Presidential Dwight Eisenhower Library and Museum. For 76 years, scholars, tourists, locals, veterans and history buffs have toured the property to learn all about Eisenhower’s life and the history he lived.

However, when the pandemic began, the National Archives decided to shut down presidential libraries across the country due to public health concerns. These closures have taken place March 14, 2020. The Eisenhower Museum had a small reopening from May 17 to July 19 of this year, but closed again due to COVID-19 numbers in Dickinson County.

“I am taking this step out of concern for the health of staff and the visiting public,” wrote United States archivist David S. Ferriero in a July 16 press release.

At the time, Dickinson County’s COVID-19 numbers exceeded the Centers for Disease Control’s definition of “high transmission,” meaning more than 99 new cases per 100,000 population and a positivity rate above 9.9 %.

“Our mandates are federal,” said Eisenhower Presidential Library Director Dawn Hammatt when asked why the museum and library are currently closed, while other museums in Kansas have remained open.

Since September 13, COVID-19 in Dickinson County the figures included 2,426 cases with 172 new cases since the Dickinson County website was last updated. According to the 2019 United States Census Bureau, Dickinson County had a population of 18,828. Based on guidance from the Centers for Disease Control, transmission is assessed by “the number of new cases in the county in the past seven days divided by the county’s population multiplied by 100,000.”

For Dickinson County cases, the 172 new cases divided by 18,828 residents multiplied by 100,000 equals 913.53 cases. According to CDC guidelines, this means the county has an extremely high level of transmission.

With the current federal mandate, Eisenhower may not open its doors until the number of cases in Dickinson County drops significantly. Hammatt hopes the doors will open soon, so the museum can start doing its job again.

“We are public servants,” Hammatt said. “We love to serve our audience”

During the small summer opening, Hammatt remembers that the museum sold tickets almost every day. Hammatt helped understand how to keep museum staff and visitors safe during this time.

“I love problem solving,” Hammatt said. “So finding a way to be able to (open up) and do it well, that was interesting for me.”

Although the doors have been closed, Hammatt and the Archivist are working to help researchers around the world through online services.

“Our archivist and archival team have been busy working with researchers electronically via email and phone calls,” Hammatt said. “We were able to provide some support to the researchers even if they cannot come to the research room. So we can’t wait to be able to reopen the research room and see our researchers come back and support them with direct access to the building. “

Currently, the museum has secured funding for a larger project for Eisenhower’s childhood home located on the library campus.

“We have received approved and earmarked funding to carry out exterior renovations to the Children’s Home, which is located on our campus,” said Hammatt. “We are still in a planning and scheduling phase with our subcontractors. I had hoped we would have started work by now, but we didn’t actually get a start date.


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Beloved ‘Nikigator’ Returns to Renovated Mingei Museum in Balboa Park http://ruthdiltsdesign.com/beloved-nikigator-returns-to-renovated-mingei-museum-in-balboa-park/ http://ruthdiltsdesign.com/beloved-nikigator-returns-to-renovated-mingei-museum-in-balboa-park/#respond Tue, 21 Sep 2021 20:27:39 +0000 http://ruthdiltsdesign.com/beloved-nikigator-returns-to-renovated-mingei-museum-in-balboa-park/ Nikigator returns to Balboa Park. Courtesy of Mingei International Museum Nikigator – the whimsical Nike mosaic of Saint Phalle that was climbed by multitudes of San Diego children – is back in its original home outside the Mingei International Museum in Balboa Park. The 5,000-pound sculpture was moved to Liberty Station in July 2019 for […]]]>
Nikigator returns to Balboa Park. Courtesy of Mingei International Museum

Nikigator – the whimsical Nike mosaic of Saint Phalle that was climbed by multitudes of San Diego children – is back in its original home outside the Mingei International Museum in Balboa Park.

The 5,000-pound sculpture was moved to Liberty Station in July 2019 for safety reasons as the renovation of the Mingei began. He returned by crane on Monday, just two weeks after the museum reopened to the public.

We are delighted that it can once again be a beacon for the museum and a fun destination for families in its native habitat in Balboa Park, ”said Mingei Executive Director and CEO Rob Sidner.

The whimsical alligator was sculpted in 2001 by the late Franco-American artist while she lived in La Jolla during the last years of her life.

The artist’s other beloved large-scale mosaic sculpture, The poet and his muse, is fitted out to welcome visitors in the new western entrance to the museum from the Alcazar garden.


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Radcliff Partners with Patton Museum Foundation on Tank Project | Local News http://ruthdiltsdesign.com/radcliff-partners-with-patton-museum-foundation-on-tank-project-local-news/ http://ruthdiltsdesign.com/radcliff-partners-with-patton-museum-foundation-on-tank-project-local-news/#respond Tue, 21 Sep 2021 08:00:00 +0000 http://ruthdiltsdesign.com/radcliff-partners-with-patton-museum-foundation-on-tank-project-local-news/ Part of Mike Martin’s job at the General George Patton Museum of Leadership in Fort Knox is to raise awareness in the community. So when Martin met the Mayor of Radcliff, JJ Duvall, a project to paint the disused US Army tank that sits next to the old town Chamber of Commerce building was discussed. […]]]>

Part of Mike Martin’s job at the General George Patton Museum of Leadership in Fort Knox is to raise awareness in the community.

So when Martin met the Mayor of Radcliff, JJ Duvall, a project to paint the disused US Army tank that sits next to the old town Chamber of Commerce building was discussed.

“I’m kind of a stuff mender,” Martin said. “It was just something that we have the knowledge of and the town of Radcliff has the right stuff, we’re going to put it together and do it.”

The project has been in the works for a few years, with previous attempts having failed, Duvall said.

“In September 2019, we had worked with volunteers to paint the tank at the time,” he said. “The scheduling conflicts did not allow this to happen.

Duvall also said those who volunteered to paint the tank in 2019 wanted the sandblasting first, which increased the expense and ultimately didn’t work out on schedule.

After maintaining the project for a year due to the pandemic, Duvall said during his meeting with Martin that he wanted to build on his expertise as part of the Patton Museum Foundation.

“Back when I met Mike, I talked to him to see if they had people who could watch him,” he said. “In a few weeks, he had gathered a few people. “

It’s part of the job and something he thought the foundation’s volunteers could accomplish, Martin said.

“You can kind of say I’m more of a connection maker,” he said. “We are able to bring together many people who have the skills and expertise that will help make this project a reality. “

Over the years, the museum has relied on a volunteer force to maintain the static displays of military vehicles on the museum grounds, Martin said. He relies on these volunteers for this project.

“The Patton Museum has volunteers who have been working in this museum for about 20 years,” he said. “These people were working on the tank collection while we had all the tanks.”

Then, with the city providing the paint and the Radcliff Small Business Alliance providing the food, it’s a project Martin and Duvall hope to start in October, possibly early November.

“We hope to put a date on the calendar in the next few weeks once we have all the key players,” he said.

Martin expects the project to be completed on two separate days, one for cleaning and another for painting, he said.

He also hopes the project will help raise awareness of the Patton Museum, its foundation and the upcoming fall campaign.

“I hope this will be another great community project that shows the Patton Museum to be a community fixture,” he said. “(The museum is) part of the community and it’s a good cause to support the Patton Museum Foundation which enables the museum to do all the great things it has done.”

Gina Clear can be contacted at 270-505-1418 or gclear@thenewsenterprise.com.


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The Esplanade association unveils the makeover of a key section near the Science Museum http://ruthdiltsdesign.com/the-esplanade-association-unveils-the-makeover-of-a-key-section-near-the-science-museum/ http://ruthdiltsdesign.com/the-esplanade-association-unveils-the-makeover-of-a-key-section-near-the-science-museum/#respond Mon, 20 Sep 2021 20:37:30 +0000 http://ruthdiltsdesign.com/the-esplanade-association-unveils-the-makeover-of-a-key-section-near-the-science-museum/ In what is billed as the largest private donation ever to a Massachusetts state park, the nonprofit Esplanade Association pledged to donate more than $ 20 million to transform a section from the park along the Charles River in Boston, near the Museum of Science. The donation would fund $ 12 million in improvements, including […]]]>

In what is billed as the largest private donation ever to a Massachusetts state park, the nonprofit Esplanade Association pledged to donate more than $ 20 million to transform a section from the park along the Charles River in Boston, near the Museum of Science.

The donation would fund $ 12 million in improvements, including a new year-round visitor center, in a two-acre area along Storrow Drive where Lee Pool once stood until the Department of Conservation and Recreation level the complex long neglected almost two years ago. The association plans to raise an additional $ 2 million for an endowment, and at least $ 6 million to cover site operations and maintenance, over the next decades.

The Esplanade association named the project Charlesbank Landing and disclosed it to donors at its annual Moondance gala, held in the park this weekend. So far, the association has raised around $ 8 million of its goal of $ 20 million.

The 10,000 square foot Charlesbank Landing pavilion would include a visitor center, the park’s first year-round public washroom, café, rooftop terrace and administrative offices. The outdoor spaces, which adjoin Teddy Ebersol’s Red Sox Fields, would include an event lawn, a nature playground, an outdoor classroom and a children’s sports field.

To achieve this, the association will need the help of the legislature: Senator Sal DiDomenico is pursuing a bill on Beacon Hill that would allow the association to lease the two acres of DCR for at least 30 years. (These invoices are needed for DCR to enter into leases of more than 10 years.) The association would not pay money directly for the lease, but the wording of the invoice requires the value of public benefits, including improvements and ongoing operating payments, exceed the fair market value of the rent. The state administration committee approved the bill last week, forwarding it to the Senate Ways and Means Committee.

The Charlesbank project originated in a public process led by DCR in 2017 to determine how to best use the Lee Pool site. However, the association started discussing with DCR how best to redo this section of the park years ago. Executive Director Michael Nichols said the two acres are at an important link near the Green Line at the eastern end of the 64-acre Esplanade Park, which stretches from the Boston University Bridge to the science Museum.

This section of the park has seen huge renovations over the past two decades, Nichols said, including the reconstruction of the Ebersol fields and the development of the Alfond Memorial Spray Deck.

“This quarter-mile stretch of the park has been completely redone for public access,” Nichols said in an email. “The old Lee Pool site served as the last piece of the puzzle.”


Jon Chesto can be contacted at jon.chesto@globe.com. Follow him on twitter @jonchesto.



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